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Georges Braque

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Apples and Leaves / Pommes et Feuilles 1958

Edition of 75 Prints Hand Signed
Apples and Leaves / Pommes et Feuilles 1958

Date: 1958

Signed By: Georges Braque

Edition: 75 Prints World Wide

Dimensions: 30.5 x 45 cm / 12 x 17.7 in

Condition: Mint / Framed

Medium: Lithograph on Heavy Stock Paper

British Pounds?5500
US Dollars$7315
Euros6787
Japanese Yen?944075

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Georges Braque

Georges Braque was born in Argenteuil, Val-d'Oise. He grew up in Le Havre and trained to be a house painter and decorator like his father and grandfather. However, he also studied serious painting in the evenings at the ?ole des Beaux-Arts, in Le Havre, from about 1897 to 1899. In Paris, he apprenticed with a decorator and was awarded his certificate in 1902. The following year, he attended the Acad޼e Humbert, also in Paris, and painted there until 1904. It was here that he met Marie Laurencin and Francis Picabia.

His earliest works were impressionistic, but after seeing the work exhibited by the Fauves in 1905, Braque adopted a Fauvist style. The Fauves, a group that included Henri Matisse and Andrerain among others, used brilliant colors and loose structures of forms to capture the most intense emotional response. Braque worked most closely with the artists Raoul Dufy and Othon Friesz, who shared Braque's hometown of Le Havre, to develop a somewhat more subdued Fauvist style. In 1906, Braque traveled with Friesz to L'Estaque, to Antwerp, and home to Le Havre to paint.

In May 1907, he successfully exhibited works in the Fauve style in the Salon des Ind޻ndants. The same year, Braque's style began a slow evolution as he came under the strong influence of Paul C?nne, who died in 1906, and whose works were exhibited in Paris for the first time in a large-scale, museum-like retrospective in September 1907. The 1907 C?nne retrospective at the Salon d'Automne greatly impacted the direction that the avant-garde in Paris took, leading to the advent of Cubism.